Official Charts. Retrieved 13 May Media Control. Hung Medien in German. Hung Medien in Dutch. Hung Medien. Oricon Style. Archived from the original on 25 May The Beatles - Get Back With Let It Be And 11 Other Songs Music Charts.
Recording Industry Association of New Zealand. Retrieved 14 May The Official Charts Company. Archived from the original on 6 October Archived from the original on 16 July RoppongiTokyo: Oricon Entertainment.
Archived from the original on 6 July Retrieved 30 September Australian Recording Industry Association. Music Canada.
British Phonographic Industry. Retrieved 3 January Select albums in the The Beatles - Get Back With Let It Be And 11 Other Songs field. Select Platinum in the Certification field. Recording Industry Association of America. BBC News. Retrieved 4 September Let It Be. Rubber Soul Revolver Sgt. The Beatles album discography.
Albums in the core catalogue are marked in bold. The Beatles Meet the Beatles! Naked Love Live at the Hollywood Bowl. The Singles Collection Box. Phil Spector.
Apple CorpsLondon. On 10 January, Harrison walked out of the sessions after the latest in a series of arguments with Lennon over his music and after being criticised by McCartney about his playing style on the song "Two of Us". By the time the sessions ended, all parties involved were so aggrieved that all of the resultant recordings were left on the shelf for over a month, with no one wanting to face the gruelling editing process.
Later that The Beatles - Get Back With Let It Be And 11 Other Songsthey recorded and released Abbey Roadthe sessions for which ran relatively smoothly. After more than a year, and after two versions of the album had already been compiled by engineer Glyn JohnsPhil Spector was brought in by Allen Kleinwith Lennon and Harrison's blessing, and given the task of coming up with a The Beatles - Get Back With Let It Be And 11 Other Songs product to tie in with the impending film release.
A criticism levied against Let It Be has centred on Spector's "Wall of Sound" technique, with some critics stating that the quality of the music was diminished by his orchestration and use of choirs on three of the album's tracks. The origin of the Let It Be In earlyMcCartney recruited [ citation needed ] Abbey Road in-house engineers Paul Hicks, Guy Massey and Allan Rouse to go back into the vaults and assemble a brand new studio album from the 30 reels of tape recorded during the January sessions.
Since much of the Let It Be material had been recorded live, many sound anomalies existed on the tapes. Hicks, Massey and Not A Nightmare - Artillery - When Death Comes did extensive work, digitally cleaning up each individual track of every song before remixing them.
Some takes were edited together to create the best possible final version. For " Dig a Pony ", an errant note sung by Lennon was digitally pitch-corrected. Most of the songs on Let It Be Naked differ significantly from the original versions on Let It Be.
Firstly, they are in a different running order from the original LP. Secondly, none of Phil Spector's orchestral and choral overdubs were included, and his mixes were not used. Additionally, all lead vocals and drums are now placed in the middle of the stereo picture, giving the album a more modernised sound and feel. Finally, all studio and rooftop dialogue from the original album was removed, resulting in a number of sharp fade-outs where dialogue had been previously audible. Two songs that had been included on the original album — the traditional Liverpool folk song " Maggie Mae " and the improvisational piece " Dig It " — were excised, as The Beatles - Get Back With Let It Be And 11 Other Songs "didn't fit comfortably with the concept of a straight album".
An off-pitch note sung by Lennon in his second "because" was digitally pitch-corrected. Also, whereas the original album track featured Lennon beginning to play the song's final guitar riff one beat too early, this version mixes the error out, leaving a clean outro. The opening guitar riff in the Naked version is the same as the final guitar riff in both versions.
For "The Long and Winding Road", the Naked producers used the final take, recorded five days after the rough run-through Spector had selected for the Aged Dolls - .And You Will Know Us By The Trail Of Dead - Chicago, IL 04.22.2005 album.
Nakedthis version is devoid of any orchestral or choral overdubs. The unadorned take from Let It Be is featured on Anthology 3. Finally, there is a slight lyrical difference: whereas the original album version included the line "Anyway, you'll never know the many ways I've tried", on this version the line is "Anyway, you've always known the many ways I've tried".
Electric guitar and electric piano are also present in this version, played respectively by Harrison and Billy Preston.
This marks the second appearance of the track in its correct key as recorded the first appearing on Anthology 2as the The Beatles - Get Back With Let It Be And 11 Other Songs "wildlife" version had been sped up and the Let It Be album version had Song Of A Thousand Birds - Declan de Barra - Song Of A Thousand Birds slowed down.
Also, as per all other tracks, all instrumental overdubs were removed. With the versions featured on the single, the original album, and the compilation album Anthology 3it features the fourth version of the song's guitar solo to be released thus far. The cover image of the album features monochrome negatives of the original photos from the "Let It Be" cover.
Harrison's photograph, unlike that of the other Beatles, has been replaced with another showing him in performance, his teeth less prominent, as a monochrome negative version of the original would show them "blackened".
Don't Let Me Down. Dig A Pony. I've Got A Feeling. Listed by Sulpy as from the 23rd GB Get Back. Listed by Sulpy as a take from the 27th GB For You Blue. Teddy Boy. Two Of Us. Perhaps my favorite song on the disc is the version of LET IT BE, where Billy Preston plays a long church organ at the end of the song, which is mixed quite up front on other versions, the Preston organ piece is mixed low down so Cest Si Bon - Yvonne Germain, Jean Nohain - Quand On Chante On A Toujours 20 Ans is quite hard to hear.
Review by: Jeff, sinewwave aol. I have the issue of this with "The Martin Mix" labeled disc. I think it's a great version of this album. The sound is fine enough. It was the first really good sounding copy of this album out on CD that I saw. The package is first rate. It really looks sharp.
Review by: 6ilez. On 08 Sep at CET. Review by: GlassOnion On 05 Jul at CET. And is a "parlophone" fake. Review by: HenryTheHorse I used to own this "Martin Mix" disc.
Audibly, the first 14 tracks sound the same as any "new" version taken from a "tape source" although this is supposedly taken from vinyl even though I can't hear any vinyl noise! I'm surprised that this disc wasn't noticed for it's exceptional sound quality when it was first released. Perhaps, because the other Get Back CDs were so crappy that this one went by unnoticed.
Unfortunately, the rooftop tracks are definately taken from a vinyl source which uses the "Let It Be" video soundtrack of the concert.
Review by: Cooley.
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